List Archive
A concise newsletter for people who make and modify letters.
- Type designers packaging services, pt. 2
- Type designers packaging services
- Cool URLs, and lukewarm leads
- Å = 197 = c5
- Alongside reality
- Saying the Verbose Gist
- Simulated Vertical Grouping
- Spaced Very Glyph-centrically
- Seeing Veiled Georgia
- Inside and outside
- Convert to Outlines
- Scalable Vector Graphics (proper noun)
- A backwards reaction to “backslash”
- Collections concept
- “We design fonts”
- A defined opinion
- Character coverage and clients
- Consumer guide, versus Contributor guide
- Cheque yourself
- Remixing
- Out-of-date lists
- The term “open source font”
- Companion monospace
- The technical writers’ italic
- In defence of faux italic
- The final build
- A single, sweeping test
- Manual testing
- Investigating OTS parsing errors, when you made the font
- A short list on shortlists
- A choice of six chocolates
- Twelve Days wrapped up
- Height – The Twelve Days of Ax‑mas
- Y Transparent bundle (uppercase) – The Twelve Days of Ax‑mas
- Y Transparent bundle (lowercase) – The Twelve Days of Ax‑mas
- X & Y Transparent – The Twelve Days of Ax‑mas
- X & Y Opaque – The Twelve Days of Ax‑mas
- Grade – The Twelve Days of Ax‑mas
- Cursive – The Twelve Days of Ax‑mas
- Italic – The Twelve Days of Ax‑mas
- Slant – The Twelve Days of Ax‑mas
- Optical Size – The Twelve Days of Ax‑mas
- Width – The Twelve Days of Ax‑mas
- Weight – The Twelve Days of Ax‑mas
- The Twelve Days of Ax-mas
- Making a list
- One, two, many
- Responsive
- Preventing trailing words as systems thinking
- You may also not like
- Typography terms I avoid
- Held in the reservoir
- Humble yourself before Baskerville
- AHA before components
- Bad answer
- From one random problem to another
- Specimen preview links
- This is random
- Write a treedme
- Review review
- When the text is not the content
- Quick brown box
- Box Drawing Week
- The Greek question mark
- Choosing faux over no
- Just because
- The size for search
- Unwanted optical adjustments
- Readers’ corrections to dark and light specimens
- Dark- and light-mode specimens
- Typographic introductions